自然栖息地，而不是动物园Natural habitat, not zoo imagery
序言明确评价这本画册以图片形式介绍大熊猫在自然条件下的种种情态，区别于动物园和标本拍摄。The prefaces describe the album as showing giant pandas under natural conditions, fundamentally different from zoo or specimen images.
Published album proof / 1993
《中國大熊貓影集》
一件已经出版、发行、制版和首印记录完整的实体画册证据Photograph Collection of Chinese Giant Pandas: physical publication proof with publishing, distribution, plate-making, printing, and first-impression records.
这不是把熊猫照片重新拼成一个网页，而是把 1993 年实体出版物本身作为证据来展示：封面、版权页、两篇序言、作者题词和内页翻拍共同说明这本画册当年的出版规格、公共评价和印刷档次。 This feature treats the 1993 physical album itself as proof: cover, copyright pages, two prefaces, the artist's statement, and photographed interior spreads together show the album's publishing level, public evaluation, and print quality.
这些事实为理解侯一民在中国野生动物摄影，尤其是野生大熊猫摄影早期历史中的位置，提供了可核验的出版、评价和传播依据。 These facts provide verifiable publishing, evaluation, and circulation evidence for understanding Hou Yimin's position in the early history of Chinese wildlife photography, especially wild giant panda photography.
Foundational position
这本画册不是孤立出版物，它把侯一民的野外拍摄、出版记录和公共评价连接在一起。This album is not an isolated publication; it connects Hou Yimin's fieldwork, publication record, and public evaluation.
判断一位摄影家在摄影史中的位置，需要回到事实链条：野外拍摄时间、真实栖息地记录、可出版的系统作品、公共机构评价、摄影界权威评价，以及作品是否进入公众传播。 A photographer's historical position should be read through a chain of facts: fieldwork duration, documentation of real habitats, publishable bodies of work, public-institution evaluation, photographic authority evaluation, and entry into public circulation.
六年高山密林野外工作Six years in mountain forests
吴印咸序和相关档案共同指向：作者在大熊猫故乡高山密林中工作六年，每日拍摄 6-8 个小时，并曾四次从危险中逃生。Wu Yinxian's preface and the related archive together point to six years of work in the pandas' mountain homeland, six to eight hours of photography per day, and four narrow escapes.
1993 年实体出版和首印记录1993 physical publication
版权页显示正式出版、发行、制版、印刷和首印 3000 册，说明这套野外影像已进入公共出版系统。The copyright page records formal publishing, distribution, plate-making, printing, and a 3,000-copy first print run.
省级公共评价和摄影界权威评价Public and photographic authority
四川省省长萧秧、中国摄影家协会名誉主席吴印咸分别从公共价值、保护价值和摄影艺术价值上为画册作出评价。Xiao Yang and Wu Yinxian evaluate the album from public, conservation, and photographic-art perspectives.
Hard facts visible on the book
这本画册能先用版权页确认分量。The copyright page already confirms the weight of the publication.
实体画册本身已经给出关键出版事实：1993 年 8 月第 1 版第 1 次印刷，印数 1-3000，四川民族出版社出版，中国四川省新华书店发行，开本 880 x 1230 毫米，印张 11。稿费、售价和获奖情况共同构成这本画册的出版故事，说明作品进入了正式出版、发行和评价系统。 The physical album itself gives the key publication facts: first edition and first impression in August 1993, print run 1-3000, published by Sichuan Publishing House of Nationalities, distributed by China Sichuan Xinhua Book Store, format 880 x 1230 mm, and 11 printing sheets. Author fee, sale price, and honors together form the album's publication story, showing that the work entered formal publishing, distribution, and evaluation systems.
第一版第一次印刷First edition, first impression
版权页标注 1993 年 8 月第 1 版、1993 年 8 月第 1 次印刷。The copyright page records August 1993 as first edition and first impression.
首印 3000 册First print run: 3,000
中文版权页明确标注印数 1-3000，是当前可确认的发行数量证据。The Chinese copyright page records print numbers 1-3000, the confirmed print-run evidence.
大开本出版物Large-format publication
开本 880 x 1230 毫米，印张 11，属于正式画册出版规格。Format 880 x 1230 mm, 11 printing sheets: a formal album specification.
版权页书号ISBN on copyright page
版权页标注 ISBN7-1223-5/I·65，是这本实体画册进入正式书籍出版体系的书号证据。The copyright page marks ISBN7-1223-5/I·65, evidence that the physical album entered the formal book-publishing system.
Copyright pages / physical proof
中英文版权页把出版链条完整列出来。The Chinese and English copyright pages list the full publication chain.
这里展示的是实体画册版权页翻拍，不是旧网站压缩图片。它给出出版者、发行者、策划、编辑、设计、翻译、制版印刷单位、开本、印张、印数和印刷时间。 These are photographed copyright pages from the physical album, not compressed old-site viewing files. They list publisher, distributor, planners, editors, designers, translator, printer, format, sheets, print run, and impression date.
摄影侯一民 / Hou Yimin
出版四川民族出版社 / Sichuan Publishing House of Nationalities
发行中国四川省新华书店 / China Sichuan Xinhua Book Store
责任编辑梅定开、侯一民 / Mei Dingkai, Hou Yimin
内页设计李绍杰 / Li Shaojie
英文翻译章思英 / Zhang Siying
制版印刷中美合资四川星宝彩色制版印刷有限公司 / Sichuan Xingbao Colour Printing and Plate Making Co., Ltd.
出版后事实售价、稿费和获奖情况共同说明这本画册在出版、发行、作者权益和专业评价中的实际位置。
Two prefaces / bilingual extraction
两篇序言就是这本画册的评价证据。The two prefaces are evaluation evidence for the album.
页面把两篇中文序言整理为可阅读文本，右侧给出英文翻译；原画册中英文序页翻拍同时保留，便于核对来源。 The two Chinese prefaces are extracted into readable text with English translations beside them; photographed Chinese and English preface pages are kept for source verification.
Preface by Xiao Yang / Governor of Sichuan Province
四川省省长萧秧序：把画册放进大熊猫保护、四川开放和世界理解四川的公共叙事里。Xiao Yang places the album within panda protection, Sichuan's opening-up, and the world's understanding of Sichuan.
中文整理Chinese extraction
青年摄影家侯一民的《中国大熊猫影集》画册即将问世。这是迄今为止，第一部用图片的形式向人们介绍大熊猫在自然条件下种种情态的作品，充分反映了作者对大自然的热爱，对大熊猫的热爱。这本画册的出版，有益于人们了解大熊猫，热爱大熊猫；也有益于生物学界、历史学界、自然保护界对大熊猫的科学研究，因而是一件十分有意义的事。
大熊猫是我国特有的珍稀动物，是大自然仅存的宝贵遗产之一。大熊猫主要生存在中国西部，四川是它生息繁衍的大本营。唯其如此，保护大熊猫也就是我国和我省人民义不容辞的责任。我们希望画册的出版，在使更多的人借助画册一睹大熊猫风采的同时，能引起世界各国对保护大熊猫的关注和支持。
画册的出版，将增强世界人民对四川的了解，对四川扩大开放，加强对外发展，起到积极的作用。借此机会，向作者致以崇高的敬意。
中国四川省省长：萧秧
一九九三年六月十四日
English translation
The album Photograph Collection of Chinese Giant Pandas by the young photographer Hou Yimin is about to be published. It is, so far, the first work to introduce to people, through photographs, the varied states and behaviors of giant pandas under natural conditions. It fully reflects the author's love for nature and for giant pandas. The publication of this album will help people understand and love giant pandas; it will also benefit scientific research on giant pandas in biology, history, and nature conservation. It is therefore a matter of great significance.
The giant panda is a rare animal unique to China and one of the precious legacies remaining from nature. Giant pandas mainly live in western China, and Sichuan is their principal home for survival and reproduction. For this reason, protecting giant pandas is an unshirkable responsibility of the people of China and of Sichuan Province. We hope that, while this album allows more people to see the grace of giant pandas, it will also draw attention and support from countries around the world for their protection.
The publication of this album will deepen the world's understanding of Sichuan and play a positive role in Sichuan's broader opening-up and external development. On this occasion, I extend my highest respect to the author.
Xiao Yang, Governor of Sichuan Province, China
June 14, 1993
Preface by Wu Yinxian / Honorary Chairman of Chinese Photographers' Association
吴印咸序：把作品评价为当今世界大熊猫图片摄影最高水准的代表，并强调六年野外拍摄和四次险境。Wu Yinxian identifies the photographs as representing the highest level of giant-panda photography of the time, grounded in six years of fieldwork and four narrow escapes.
中文整理Chinese extraction
青年摄影家侯一民的《中国大熊猫影集》是一本难得的珍奇野生动物摄影集。
大熊猫是我们的国宝，也是全世界人民的宝贵自然遗产。表现野生大熊猫的摄影画册尤为罕见。作者所摄的这些作品，可谓当今世界大熊猫图片摄影最高水准的代表，它们的面世将会使人类对大熊猫的真实生活面目有一个新的认识，具有很高的艺术珍藏价值，单幅作品本身也是一件件珍贵的艺术品。这些作品的面世也会在世界的自然保护史上留下新的一页。
大熊猫自然保护区的高山密林中光线阴暗，气候恶劣，道路险峻，为了拍摄这些照片，作者历尽艰辛，在大熊猫故乡的高山中工作六年，与大熊猫朝夕相处，每日要拍摄 6-8 个小时，有时候数天都拍不到一张较有意境和理想的照片。作者为了熟悉大熊猫的生活，探寻它们的活动规律，长期奔波于野外，付出了艰辛的劳动。野生大熊猫并不是一种温顺的动物，近距离拍摄野生大熊猫是非常危险的。为了摄取这些照片，作者曾经四次从被大熊猫追赶下死里逃生。这些作品是极为珍贵的，是作者用生命及青春换得的，它较之在动物园中或用大熊猫标本拍摄到的照片有本质的区别。作者将六年的全部时间献身于大熊猫的拍摄，精神可贵。
中国摄影家协会名誉主席：吴印咸
一九九三年四月
English translation
Photograph Collection of Chinese Giant Pandas by the young photographer Hou Yimin is a rare photographic album of precious wild animals.
The giant panda is our national treasure and a precious natural legacy for people throughout the world. Photographic albums portraying wild giant pandas are especially rare. The works photographed by the author may be called representative of the highest level of giant-panda photography in the world today. Their publication will give humanity a new understanding of the true life of giant pandas. They have high artistic and collecting value; each individual work is itself a precious work of art. Their appearance will also leave a new page in the history of nature conservation.
In the high mountain forests of the giant panda reserves, the light is dim, the climate harsh, and the roads dangerous. To make these photographs, the author endured great hardship and worked for six years in the mountains of the pandas' homeland, living with them day and night. He photographed six to eight hours every day, and sometimes went several days without making a picture with the desired mood and quality. To understand the lives of giant pandas and to discover their patterns of activity, he traveled in the wild for a long time and gave strenuous labor. Wild giant pandas are not gentle animals; photographing them at close range is extremely dangerous. To obtain these photographs, the author narrowly escaped death four times while being chased by giant pandas. These works are extremely precious. They were exchanged for the author's life and youth, and they are fundamentally different from photographs made in zoos or from panda specimens. The author devoted six full years to photographing giant pandas; that spirit is admirable.
Wu Yinxian, Honorary Chairman of the Chinese Photographers' Association
April 1993
Artist statement / June 1993
作者题词把这本书的精神落在“爱”和“寻找”上。The artist's statement grounds the album in love and searching.
这页题词不是版权页，但它让画册从出版物证据进入作者个人精神。右下角的雪山工作照中，穿红色衣服的人是作者侯一民本人，正在大雪地和高山环境中进行野生大熊猫拍摄工作。 This page is not a copyright page, but it brings the publication into the artist's own voice. In the snow-mountain working photograph at lower right, the person in red is Hou Yimin himself, working in snowy mountain conditions while photographing wild giant pandas.
生命由于爱而有价值
为了爱的享受
我去找寻
留在记忆里的是一个美丽的梦
向太阳升起的地方
我去找寻
为了那个美丽的梦Life is valuable because there is love. For the sake of love, I go searching. What remains in memory is a beautiful dream. Toward the place where the sun rises, I go searching for that beautiful dream.
侯一民 / Hou Yimin, 1993.6
Interior pages / print quality
内页翻拍要大图看：黑底、留白、白框和彩色图版共同显示当年的印刷档次。The interior photographs must be viewed large: black ground, white border, spacing, and color plates show the printing level of the time.
这些翻拍保留了纸张反光、黑底页面、跨页关系和白框图版。它们的价值不是单张熊猫图，而是让人看到 1993 年实体画册的版式、制版和印刷质感。 These photographs preserve paper reflection, black pages, spread relationships, and framed color plates. Their value is not just the panda image, but the layout, plate-making, and physical print texture of the 1993 album.
Fee / price / honors
稿费、售价和获奖情况，是这本画册进入出版系统后的事实链。Author fee, sale price, and honors form the factual chain after the album entered the publishing system.
一部摄影画册的分量，不只在图像本身，也在出版体系如何对待它：是否付给作者稿酬，是否形成销售价格，是否在出版后获得荣誉和专业评价。实体书、版权页、两篇序言、首印记录和内页印刷效果共同说明，《中國大熊貓影集》不是临时图册，而是一部进入正式出版、发行和评价系统的野生大熊猫摄影代表作。 The weight of a photographic album lies not only in the images, but also in how the publishing system treated them: whether the author was paid, whether the book carried a sale price, and whether it received honors and professional evaluation after publication. The physical book, copyright pages, two prefaces, first-impression record, and printed interior pages together show that Photograph Collection of Chinese Giant Pandas was not a temporary booklet, but a representative wild-giant-panda photographic work that entered formal publishing, distribution, and evaluation systems.
作者劳动进入出版权益Author's labor entered publishing rights
稿费说明出版社把侯一民六年野外拍摄的劳动作为正式出版内容处理。它不是口头赞美，而是出版制度对作者劳动和作品价值的实际承认。The author fee shows that the publisher treated Hou Yimin's six years of fieldwork as formal published content. It is not verbal praise, but an institutional recognition of the author's labor and the work's value.
画册进入公共销售The album entered public sale
售价说明这本画册面对真实读者和收藏者发行。它把野生大熊猫摄影从拍摄现场带入书店、公共阅读和收藏市场。The sale price shows that the album was issued to real readers and collectors. It moved wild-giant-panda photography from the field into bookstores, public reading, and the collecting market.
荣誉和序言构成专业评价Honors and prefaces form professional evaluation
萧秧和吴印咸的序言已经把作品放在大熊猫保护、四川对外开放、野生动物摄影史和艺术珍藏价值中评价。获奖情况则说明作品在出版之后继续获得专业系统的承认。The prefaces by Xiao Yang and Wu Yinxian already evaluate the work within panda protection, Sichuan's opening-up, wildlife-photography history, and artistic collecting value. The honors further show professional recognition after publication.
Evidence chain
观众应当从这组事实里看懂这本画册的历史位置。The audience can read the album's historical position through this chain of facts.
它不是孤立的一张封面，而是一套完整的实体证据：出版链条、发行链条、首印数量、权威序言、作者诗、雪山工作照、黑底内页和出版后的稿费、售价、荣誉记录共同指向同一个结论：侯一民的野生大熊猫摄影已经在 1993 年进入正式出版和公共传播系统。 This is not an isolated cover image, but a complete set of physical evidence: publishing chain, distribution chain, first print run, authoritative prefaces, the artist's poem, the snow-mountain working photograph, black-ground interior pages, and records of author fee, sale price, and honors all point to the same conclusion: by 1993, Hou Yimin's wild-giant-panda photography had entered formal publishing and public circulation.
1993 年 8 月第 1 版第 1 次印刷，印数 1-3000，出版与发行链条清楚可见。
萧秧、吴印咸两篇序言对画册的公共价值、艺术价值和六年野外摄影难度作出直接评价。
内页翻拍显示黑底、白框、跨页、实体纸张反光和 1993 年彩色画册印刷效果。
稿费、售价和获奖情况说明作品出版后的作者权益、市场流通和专业评价。
Album proof / publishing cooperation