完整地震档案不公开，只能在授权、研究、出版、展览或国家档案合作中查阅。The complete earthquake archive is not public and may be viewed only through authorized research, publication, exhibition, or national-archive cooperation.
Wenchuan earthquake / Representative work / Lele
“乐乐——”"Lele..."
这张作品单独放在这里。它不应该只作为小图出现在首页或图组里；它需要让观看者先面对图像本身，再进入事实、证词和摄影者承受的心理代价。 This work is placed here on its own. It should not live only as a small image on the homepage or inside a grid; viewers need to face the image first, then enter the facts, testimony, and psychological cost behind it.
说明：这是公开站保留的少数代表作之一。完整汶川地震专题、学生家长示威照片、连续现场图和敏感材料已经屏蔽，不向普通访客开放。 Note: this is one of the few representative works retained on the public site. The complete Wenchuan earthquake topic, parents' demonstration photographs, continuous field sequences, and sensitive materials are blocked from general public access.
艺术家口述：这是乐乐的母亲在废墟上寻找孩子时的近距离肖像。她喊着“乐乐”，眼里的泪已经流干。作品不是摆拍，不是导演，也不是编出来的故事；它来自生命现场。 Artist testimony: this is a close portrait of Lele's mother searching the ruins for her child. She was calling "Lele," her tears already exhausted. The photograph was not staged, directed, or invented; it came from a real site of life and death.
Facts / testimony / ethical frame
追求事实，用灵魂超越恐怖。Pursue the facts; answer terror with the force of the human spirit.
这页不删减关键事实，也不把痛苦包装成刺激。它把作品、来源、摄影责任、创伤代价和进一步证据边界放在一起。 This page does not cut away essential facts, and it does not turn pain into spectacle. It keeps the work, source, photographic responsibility, traumatic cost, and evidence boundaries together.
项目方说明，这组作品中有国家档案馆收藏材料资料；公开页把它作为馆藏线索呈现，不把未展示文件写成已完成结论。The project owner states that this body of work includes National Archives collection leads; the public page presents it as a collection lead without overstating documents not shown here.
作品地位Work status
艺术家说明，这张作品视觉冲击力很强，是汶川地震专题中最有代表性的近距离人物肖像之一。The artist identifies this as one of the most visually forceful and representative close portraits in the Wenchuan earthquake project.
未送赛Not submitted
艺术家口述称，当时有人建议送世界新闻摄影比赛，认为有争取重要奖项的可能，但他没有送赛。According to the artist, others suggested submitting the photograph to the World Press Photo competition and believed it could contend for a major award, but he did not submit it.
收藏资料Collection lead
艺术家口述称，作品被国家档案馆收藏；他没有领取收藏证书，也没有接受相关款项。公开页把这条内容作为艺术家口述和馆藏线索呈现。The artist states that the work was collected by the National Archives; he did not collect the certificate and did not accept the related payment. The public page presents this as the artist's oral-history and collection lead.
创伤代价Traumatic cost
艺术家口述称，助手曾误解他冷酷；但他从小听到哀乐就会逃开，也不敢看死亡现场。为了完成新闻记录，他必须在灾区长时间直面死亡、废墟和亲属的痛苦。近距离记录不是冷酷，而是在巨大心理压力下承担见证责任。The artist recalls that an assistant misunderstood him as cold. Yet since childhood he had fled the sound of mourning music and could not bear to look at death. To complete the journalistic record, he had to face death, ruins, and families' grief for an extended period. Close recording was not coldness, but the burden of witness under immense psychological pressure.