作品背景Work background
熊猫、地震和火车专题都有完整背景文字，帮助读者理解拍摄环境、时间跨度和现场关系。Panda, earthquake, and train topics all carry background text that helps readers understand setting, duration, and field relationships.
Photo notes / Captions / Field stories
照片介绍
作品背后的现场、人物与证词Photo Notes / Scenes, people, and testimony behind the works
侯一民的许多作品需要和照片说明一起阅读：自然保护区里的等待，农村人物的口述，地震现场的呼喊，蒸汽小火车沿线的票价、工资和日常生活，都让图像从“好看的照片”进入历史现场。 Many of Hou Yimin's works should be read with their notes: waiting in nature reserves, farmers' oral accounts, calls from earthquake rescue sites, and the ticket prices, wages, and daily life along the steam-train line turn images into historical scenes.
Recovered structure
照片说明让作品专题拥有清楚的阅读路径。Photo notes give each topic a clear reading path.
这些文字把单张照片放回具体地点、人物关系、出版记录和展览现场之中，使网站不仅展示作品数量，也展示每个专题可以被研究、出版和授权的理由。 These notes return individual photographs to their places, relationships, publication records, and exhibition contexts, showing not only the number of works but also why each topic can support research, publishing, and licensing.
单图证词Single-image testimony
农民、地震、火车作品中的口述、票价、工资和救援现场细节，让每张照片拥有可引用的事实密度。Oral accounts, ticket prices, wages, and rescue-site details in the farmer, earthquake, and train works give each image citation-ready factual density.
出版展览记录Publication and exhibition records
TERRE SAUVAGE、Le Figaro、TELE SEMAINE、奥组委精装礼品画册、奥运新闻中心展览和国外熊猫画册评价，共同构成国际传播证据。TERRE SAUVAGE, Le Figaro, TELE SEMAINE, Olympic gift albums, Olympic Press Center exhibitions, and overseas panda-album evaluations together form evidence of international circulation.
Wild panda / 2000 Days
《同在一个星球》必须和六年野外经历一起讲。On the Same Planet must be told together with six years in the field.
档案把《同在一个星球》放在前部入口：熊猫头像从深黑背景中俯身向下，下方蓝色星球成为视觉重心。艺术家说明，这幅作品使用反转片现场抓拍、一次成像，没有任何人工处理；摄影师通过精准低曝光把小河环境压成黑色，使现场石头在自然反光中呈现为抽象的蓝色地球图案。这个形象必须和“2000 Days in the Forest”的六年野外经历一起讲。 The archive placed On the Same Planet at the front: a panda leaning from darkness above a blue planet-like form. Hou describes it as a single slide-film exposure made in the field, without artificial processing.
档案还记录《Sharing the Globe / On The Same Planet》在荣宝斋画廊以 US$50,000 价位悬挂，并与菲利普亲王收藏/评价、国际出版发表共同构成代表作的证据链。 The archive also records its US$50,000 display at Rongbaozhai Gallery, alongside Prince Philip-related evidence and international publication records.
进入代表作专页Open signature workRecovered captions
第一批进入新版的照片介绍。The first photo notes entering the new site.
中国农民见证Chinese farmers witness
农民不是背景，是历史主体。Farmers are not background; they are historical subjects.
这组作品面向中国农民的真实生活、社会处境和长期命运，人物不是风景中的点缀，而是现代中国叙事中的核心主体。The series addresses the real lives, social conditions, and long-term fate of Chinese farmers, treating them not as background figures but as central subjects in modern China's story.
作品说明：农民专题代表图像Work note: representative image from the farmers series
税费负担口述Tax-burden oral account
土地收入不足以支付各种费用。Income from land was not enough to cover the fees.
档案农民单页记录：只靠土地不够交税，主要劳动力外出挣钱，用以支付各级政府要求的费用；乡镇政府为收费会指定人员执行。One old farmer page records that land income could not cover taxes and fees, forcing main laborers to work away from home.
作品说明：税费负担口述Work note: oral account of taxes and fees
农民口述Farmer oral account
“我几十年没有见过电灯。”"I have not seen electric light for decades."
档案单页记录一位 83 岁老人自述：子女已分家，自己耕种 3 亩地；因买不起电线，几十年没有见过电灯，并担心拍照需要付钱。An old page records an 83-year-old farmer living apart from his children, farming three mu, unable to afford wiring, and worried that being photographed might cost money.
作品说明：农村老人生活记忆Work note: memory of an elderly rural subject
汶川地震Wenchuan Earthquake
“下面有人吗？听见就敲一声。”"Is anyone below? Knock once if you hear us."
汶川地震专题已经进入保护状态。公开页面保留少数网页预览代表作和保护说明；学生、家长、示威、伤者、遇难者及地震完整图像档案不在普通页面展开。The Wenchuan earthquake topic is now protected. The public site keeps only limited low-resolution representative works and protection notes; student, parent, demonstration, injured-person, victim-related, and full old-site materials are not expanded on normal public pages.
作品说明：受保护地震档案代表作Work note: representative work from a protected earthquake archive
蒸汽小火车Steam train
活着的工业革命现场。A living scene of the Industrial Revolution.
档案中文介绍称四川嘉阳窄轨蒸汽客运小火车是“原生态的工业革命活景观”，也是沿线村民、矿区职工和游客共同使用的交通与记忆现场。新版已经把它恢复为独立专题页。The old Chinese introduction calls the Jiayang narrow-gauge steam passenger train a living industrial landscape shared by villagers, mine workers, and visitors.
作品说明：嘉阳蒸汽小火车专题Work note: Jiayang steam-train topic 进入蒸汽小火车专题Open steam-train topic
单图说明Single-image note
票价、工资、工伤都在照片说明里。Ticket prices, wages, and injuries are all in the captions.
档案火车单图说明记录：普通票价 3 元，多数农民可以负担；司机月收入约 600 元；工人额外工作一天可得 20 元。Old train captions record a 3-yuan ordinary ticket, a driver's monthly income of about 600 yuan, and 20 yuan for an extra workday.
作品说明：劳动、票价与沿线生活Work note: labor, ticket prices, and life along the line
王沙作品农民群像Large-scale farmer portrait
王沙作品需要按人物故事与教育议题说明。Wang Sha should be read through the child, education, and poverty story.
这件约 王沙作品的横向王沙作品，由《中国农民》专题中的人物构成。它应与郑侠、蒋兆和以来的《流民图》精神传统放在一起阅读，强调中国农民坚韧的生存力量。This roughly Wang Sha horizontal work is built from figures in the Chinese Farmers series and should be read within China's historical tradition of images of displaced people.
作品说明：《中国农民》大型群像Work note: Wang Sha story from Chinese Farmers 查看艺术评价View art commentaryPublication notes
出版照片也要有说明，它们是国际可信度入口。Publication photos also need notes; they are gateways to international credibility.
杂志发表、展览现场、奥运礼品画册和国外熊猫画册评价，说明这些图像已经进入国际出版、公共展示和机构传播渠道，是作品可信度的重要组成部分。 Magazine publications, exhibition views, Olympic gift albums, and overseas panda-album evaluations show that these images have entered international publishing, public display, and institutional communication channels.
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