证据档案
作品、出版、展览和市场记录的核验入口Evidence Archive / Works, publications, exhibitions, and market records for verification

档案熊猫英文页面显示作品名为 “Share in the Same Globe / On the Same Planet”，并展示野生大熊猫作品图。The old English panda pages identify the work as “Share in the Same Globe / On the Same Planet” and show the wild panda image.

档案英文页面写明作品悬挂于 Rongbao Zhai Gallery，最低价格 US$50,000，并称其为中国摄影史里程碑；《四川日报》单独中文报道标题可辨为《摄影作品首次跻身荣宝斋 / 一幅熊猫照底价五万美元》。1996 年高级会士报道可作为追溯性旁证，但五万美元事件本身应以 1995 年荣宝斋报道作为主证。The old English page states that the work was hung at Rongbao Zhai Gallery with a minimum price of US$50,000 and describes it as a milestone in Chinese photography. A separate Sichuan Daily Chinese report visibly covers the Rongbaozhai event. The 1996 senior-member report may serve as later corroboration, but the US$50,000 event should be anchored to the 1995 Rongbaozhai report.

《人民日报海外版》属于人民日报系统，是国家级权威中文媒体。剪报图显示日期为 1995 年 3 月 18 日，星期六，第 3176 号；可见“台港澳侨周末版 第一百四十七期”和手写“第 5 版”。图中侯一民与《同在一个星球》作品在荣宝斋门口/门前同框。People's Daily Overseas Edition belongs to the People's Daily system and is a national-level authoritative Chinese media source. The clipping is dated March 18, 1995, Saturday, issue no. 3176; visible text includes “Taiwan, Hong Kong, Macao and Overseas Chinese Weekend Edition, No. 147,” plus a handwritten “page 5” note. Hou Yimin and On The Same Planet are visible at the Rongbaozhai entrance/front area.

这段英文档案记录：“Brilliant works, very good indeed.” 它同时写明《Share in the Same Globe》在 Rongbao Zhai Gallery 最低价 US$50,000，并把这一事件称为 “the milestone in the photographic history of China”。This English archive text records the praise “Brilliant works, very good indeed,” states that Share in the Same Globe was shown at Rongbao Zhai Gallery with a minimum price of US$50,000, and describes the event as “the milestone in the photographic history of China.”

艺术家说明：元宝曾形成标题含《同在一个星球》的评估报告；计算逻辑以 1995 年荣宝斋五万美元价位记录为基准，经升值计算形成约 7 点几亿元的评估，再考虑中国市场传播、成交环境和公开沟通需要，折中为 3.5 亿元口径。该估值逻辑不是孤立报价，而是建立在作品可被专家文章、学术论文和自然保护语境反复检验的基础上：作品已成为世界自然保护的象征性图像之一，并同时具备稀缺性、不可复制的现场抓拍技术难度、国际出版传播、荣宝斋早期市场记录和市场评估材料。公开页把它作为市场评估线索呈现，不把线索写成已经成交的价格。Artist statement: a Yuanbao appraisal report titled around On The Same Planet used the 1995 Rongbaozhai US$50,000 price record as its baseline, calculated an appreciated value in the RMB 700-million-plus range, and then adjusted it to a RMB 350 million figure for the Chinese market and public communication context. The valuation logic is not an isolated claim; it rests on expert and academic verifiability, conservation symbolism, rarity, the unrepeatable technical difficulty of the candid field exposure, international publication history, the Rongbaozhai market record, and appraisal materials. The public page presents it as a market-appraisal lead, not as a completed sale price.

艺术家说明：《同在一个星球》曾被学界称为中国景观艺术的代表，是全世界自然保护的象征；作品曾放在奥运会主席、国家体委主席办公桌上，北京 2008 奥运会主题口号“同一个世界，同一个梦想 / One World, One Dream”的精神联想由此获得启发。公开页把这条内容作为重大口述资料呈现，并明确区分官方口号事实与艺术家关于灵感关系的陈述。Artist statement: On The Same Planet has been described in academic contexts as a representative work of Chinese landscape art and as a symbol of global conservation; the artist states that it was placed on the desks of Olympic and national sports leaders, and that Beijing 2008's official slogan One World, One Dream drew conceptual inspiration from it. The public page presents this as major oral-history material and distinguishes the official slogan fact from the artist's statement about conceptual inspiration.

档案《摄影师的话》写明“Without any governmental auspice”，并称通过个人计划、独立观察和自筹资金完成。The old-site text says the project was made “without any governmental auspice,” through personal planning, independent observation, and self-funding.

档案文字记录了四川、重庆 16 个县市，500 rolls of film，以及 300 hours of voice interviews。The old-site text records fieldwork across Sichuan and Chongqing, 500 rolls of film, and 300 hours of voice interviews.

档案英文首页写明《Witness of Chinese Peasants》获 “Creative Talent Grand Prize for Project Work: the Living Status of Chinese Peasants Today”。平遥国际摄影节是国际性摄影节，具有国际评委和国际摄影家参评背景，这项奖应作为国际摄影节项目奖事实呈现。The old English homepage records the award title for Witness of Chinese Peasants. Pingyao International Photography Festival is an international photography festival with international jury and photographer participation, so this award is presented as an international festival project award.

0115 当前使用清晰源图，作为《中国农民》三米乘十米群像作品展示。说明文字单独列明作品尺度、群像结构和农民整体命运主题，不再把王沙作品作为 0115 的替代内容。Work 0115 now uses the clear source image as the three-by-ten-meter group portrait work in Chinese Peasants. The note identifies its scale, group-portrait structure, and the theme of Chinese peasants' shared fate; Wang Sha is no longer used as a substitute for 0115.

档案英文首页明确列出：呈现农民真实生活、国内外展览、推动社会平等与消除贫困、建立基金支持农村儿童健康和基础教育。The old English homepage states the project's goals: documenting rural life, exhibiting in China and abroad, promoting equality and poverty reduction, and building support for rural children.

档案农民单页记录了土地收入不足以交税、主要劳动力外出挣钱支付各级费用、乡镇收费执行等原始口述。这不是“影响取消农业税”的最终第三方证明，但已经是税费负担主题的直接作品说明。Old captions include direct testimony about land income, taxes, fees, and migrant labor. They are not yet final third-party proof of policy impact, but they are direct evidence of the tax-burden theme.

这是艺术家提供的核心事实方向。公开页面把它作为社会影响线索呈现：图像说明、媒体报道、政策评论和第三方访谈可以共同把档案已有的税费负担口述连接到公共政策讨论，但不把它写成已经完成的因果结论。This is an artist-provided impact direction. The public page presents it as a social-impact lead: image notes, media clippings, policy commentary, and third-party interviews can connect the archive's tax-burden testimony to public-policy discussion, without turning it into a completed causal conclusion.

档案纪录片视频文件的片头画面显示片名为《翟城春秋：一个农村合作社的故事》，并列出“星期一至五 19:55 / 星期二至六 09:00”的播出时段。档案英文页面同时保存凤凰卫视节目广告词，称该片可能是第一部记录中国农村基层组织完整过程的纪录片，并记录河北翟城村合作社民主选举的真实过程。The old-site video source contains a title frame reading Zhaicheng Spring and Autumn: A Rural Cooperative Story, with broadcast slots listed as Monday-Friday 19:55 and Tuesday-Saturday 09:00. The old English page preserves Phoenix program-ad text describing the film as possibly the first documentary to record the full process of a grassroots rural organization in China, documenting the democratic election of a cooperative in Zhaicheng Village, Hebei.

艺术家校正：这部片子的核心内容是农村基层选举，是全程跟踪记录基层农民选举的罕见纪录片；它已经完成并曾在凤凰卫视播出，播出后产生过重要反响，尚未在全球充分传播，适合整理英文资料和国际纪录片合作资料。档案曾记录为 1995 年凤凰卫视五集播出，每集 30 分钟，来自 52 小时 DV 素材；但 1995 年份与凤凰卫视中文台启播时间存在冲突，应降级为纳入档案管理资料。本页外部公开资料优先指向 2005 年 11 月《凤凰大视野》五集《翟城故事：一个农村合作社的故事》。Artist correction: the film's core subject is rural grassroots elections. It is a rare documentary that follows a rural grassroots election process in full; it was completed, broadcast by Phoenix TV, and generated significant response. It has not yet been fully circulated internationally and should be prepared for English-language and international documentary cooperation. An old page recorded a 1995 five-part Phoenix TV broadcast, each episode 30 minutes, edited from 52 hours of DV footage; however, the 1995 date conflicts with Phoenix Chinese Channel's launch timeline and is treated as a lead requiring verification. Current public leads point first to a November 2005 five-part Phoenix Vision broadcast titled A Story of Zhaicheng Village: A Rural Cooperative Story.

艺术家确认：侯一民曾受中山大学相关项目邀请，到广东古镇社区大学拍摄纪录片《社区大学》，拍摄时间整整两年，每天常常拍摄好几个小时；在拍摄和项目参与过程中，他被邀请为客座教授，讲授“摄影欣赏”课程。该片目前尚未完成制作，艺术家判断其价值很高，适合与全球纪录片机构、大学、基金会、后期制作团队、字幕和国际发行合作者洽谈完成制作。Artist-confirmed lead: Hou Yimin was invited by a Sun Yat-sen University-related project to film the documentary Community University at Guangdong Guzhen Community University over two full years, often filming several hours per day. During the project, he was invited as a guest professor to teach photography appreciation. The film is not yet completed; the artist sees it as highly valuable and suitable for global collaboration with documentary institutions, universities, foundations, post-production teams, subtitling partners, and international distributors.

艺术家确认：侯一民在广东工作期间，在一个山沟里发现一群“代耕农”。他们没有清晰社会身份，住在山沟里，自己开荒种地，靠劳动养活自己，并在那里生育后代。侯一民进入这个群体拍摄，并连续拍摄了几个春节。其中一个孩子感冒，在附近医院住院就要花约一千元；侯一民扛着摄像机到医院采访，拍摄到大量医院、家庭压力和生存处境素材。艺术家确认：这次影像介入以后，孩子后来再生病去看病，费用明显下降，只需几十元。因为他们生活非常偏僻，侯一民曾买过两只狼仔送给他们养；但艺术家的原则是尽量不改变他们的原始生活状态。这条资料应归入《中国农民》之外的独立乡村生存档案，也可与农民专题、纪录片项目和社会史研究一起呈现。Artist-confirmed lead: while working in Guangdong, Hou Yimin found a group of "Daigeng farmers" in a mountain valley. They had no clear social identity, lived in the valley, reclaimed land, survived through their own labor, and raised children there. Hou photographed or filmed the group across several Spring Festivals. One child caught a cold, and hospitalization at a nearby hospital cost about 1,000 yuan; Hou carried his camera to the hospital to interview and filmed substantial material about the hospital, family pressure, and survival conditions. Artist-confirmed: after this camera-led intervention, later medical visits for the child became much cheaper, costing only a few dozen yuan. Because their life was extremely remote, Hou once bought two wolf pups for them to raise, while keeping the principle of avoiding changes to their original way of life as much as possible. This should be archived as an independent rural-survival project alongside the Chinese Farmers series, documentary projects, and social-history research.

艺术家确认：侯一民受《改革》杂志记者部主任高占邀请，到高占苏北农村家乡拍摄。在一个村子里，他发现一位八十多岁、双目失明的老太婆与十三岁小孙女一起生活，于是在村里停留一个月，每天去她家拍摄生活。老人曾因两个馒头嫁给村里的人；后来家里太穷，儿媳妇离开，把小孙女留给老人。该片目前尚未完成制作，适合与全球纪录片机构、大学、基金会、后期制作、字幕和国际发行合作者洽谈完成制作。Artist-confirmed lead: Hou Yimin was invited by Gao Zhan, director of the reporters' department at Reform magazine, to film in Gao's rural hometown in northern Jiangsu. In one village, he found an eighty-plus-year-old blind woman living with her thirteen-year-old granddaughter, stayed for a month, and filmed in their home every day. The elder had married into the village because of two steamed buns; later, poverty drove her daughter-in-law away, leaving the granddaughter with the elder. The film is not yet completed and is suitable for global collaboration with documentary institutions, universities, foundations, post-production teams, subtitling partners, and international distributors.

档案出版物页面列出欧洲著名自然杂志 TERRE SAUVAGE、世界著名杂志《费加罗画报》Le Figaro Magazine、《法国电视周刊》TELE SEMAINE、台湾著名期刊《经典》Rhythms Monthly、2008 奥运精装礼品画册和第 29 届奥运会国际新闻中心熊猫图片展。档案 `_images` 目录保存了这些杂志和展览的翻拍照片。The old publications page lists international magazine and exhibition traces, including TERRE SAUVAGE, Le Figaro Magazine, TELE SEMAINE, Rhythms Monthly, a 2008 Olympic album, and a panda exhibition at the Olympic Press Center.

档案英文交流页标题记录：International Durable Development Forum 2nd ed / Photography Summit，2007 年 12 月 8-12 日，法国。页面中“参展作品”图可见峰会 / 展览宣传板上出现侯一民作品并标注中国；“会场”图显示侯一民在会议现场；“重要人物合影”图注写明法国费加罗 Figaro 画报图片总监、法国摄影协会官员、世界新闻摄影比赛终身评委与侯一民同框。艺术家补充“代表亚洲参加、作品被峰会用作广告”为重要口述线索，公开页以可见图像、旧页标题和图注为主要证据。The old English exchange page records the International Durable Development Forum 2nd edition Photography Summit in France, December 8-12, 2007. Its exhibition image shows Hou Yimin's work on the summit display board and identified with China; another frame places him in the conference; the group-photo caption identifies a Le Figaro Magazine photo director, a French photography-association official, and a lifelong World Press Photo jury member with Hou. The artist adds that he attended as an Asian representative and that the summit used his work in advertising; the public page grounds the lead in visible images, old-page titles, and captions.

艺术家确认：档案图像显示侯一民与中国著名收藏家、社会活动家马未都同框，资料指向《同在一个星球》进入观复博物馆。本页把它作为重要收藏传播资料展示，但不直接写成“已由观复博物馆正式入藏”。The artist confirms that the archival image shows Hou Yimin with Ma Weidu, the prominent Chinese collector and public cultural figure, and points to an On The Same Planet / Guanfu Museum lead. The page presents it as an important collection-and-circulation lead, but does not state it as a completed official museum acquisition.

档案《侯一民介绍》记录：2007 年侯一民签约法国 GAMMA 图片社；签约中国最大的摄影收藏公司 -- 国际影像典藏（美国海纳基金投资）；24 幅作品进入收藏领域；并被国际影像典藏评为中国最热摄影家之一，排名第二。该段是网站商业化的重要证据入口，说明作品已进入图片机构、收藏公司和排行榜叙事。公开页按旧站档案文字呈现这条商业价值线索。The old biography page records that in 2007 Hou Yimin had a France GAMMA Photo Agency signing lead; a signing lead with International Photo Collection, described as a major Chinese photography-collection company invested by the U.S. Haina fund; 24 works entering the collection field; and a ranking as one of China's hottest photographers, listed second by International Photo Collection. This is a major commercial-value lead because it connects the archive to agencies, collection companies, and ranking narratives. The public page presents the lead according to the old-site archival text.

证明写明侯一民在四川原始森林拍摄野生大熊猫六年，13 幅作品在 2008 北京国际新闻中心图片展示厅展出，并称作品体现“熊猫国宝”在野外生存的自然状态，受到中外摄影家和摄影爱好者好评。艺术家说明这不是普通自办展，而是受邀进入奥运会国际新闻中心现场展示体系；在这一场域展出本身就是稀缺资格和机构认可。The certificate states that Hou Yimin spent six years photographing wild giant pandas in Sichuan's primeval forests, and that 13 works were exhibited at the 2008 Beijing International Press Center. The artist identifies this not as a self-organized display, but as invited entry into the Olympic press-center exhibition system; showing work in that setting itself signals rare institutional recognition.

艺术家校正：这页不是已出版版权页，而是《森林中的2000天：拍摄大熊猫历险记》的书籍设计稿 / 拟出版信息页。该项目来自侯一民六年原始森林野生大熊猫拍摄经历，由几十个故事组成，具备图书出版、纪录片、电影、动画和家庭观众内容开发价值；它不同于另一部《中国 / 中国大熊猫》出版线索。Artist correction: this is not a published copyright page. It is an unpublished book-design / proposed-publication page for 2000 Days in the Forest, a story-rich project drawn from Hou Yimin's six years photographing wild giant pandas in primeval forests, with potential for book, documentary, feature-film, animation, and family-audience adaptation. It is separate from the other China Giant Panda publication lead.

英文证据页 “World Superb Photograph Of The Panda” 记录《Sharing the Globe》被多家报刊杂志报道，并列出 Rongbaozhai、US$50,000、People's Daily、People's Pictorial 等资料。The extracted page titled “World Superb Photograph Of The Panda” records press coverage of Sharing the Globe and lists Rongbaozhai, US$50,000, People's Daily, and People's Pictorial.

国际推广资料和旧版本网站草稿均多次使用 WWF、Gamma 相关身份表述；公开页以巴黎 Gamma 图片集团工作 / 交流现场为可视依据，呈现其国际图片机构交流背景。International promotion drafts repeatedly use WWF and Gamma-related identity claims; the public version grounds the Gamma lead in the visible Paris agency office-working photograph and presents the international photo-agency context.

国际推广资料中包含 BBC Earth、Jane Goodall、保险估值和奥运国礼等高价值表述。公开页把它们作为国际传播线索呈现，帮助观众理解这些作品曾被放入更高层级的自然保护、媒体和收藏语境。International promotion materials include high-value references to BBC Earth, Jane Goodall, insurance valuation, and Olympic gift contexts. The public page presents them as international-circulation leads, helping viewers understand that the works were placed within higher-level conservation, media, and collecting contexts.